3 edition of Schumann as critic found in the catalog.
Schumann as critic
|Statement||by Leon B. Plantinga.|
|Series||Da Capo Press music reprint series|
|LC Classifications||ML410.S4 P6 1976|
|The Physical Object|
|Pagination||xiii, 354 p. :|
|Number of Pages||354|
|LC Control Number||76007599|
The Oxford Lieder Festival’s focus on Robert Schumann in provided numerous opportunities to throw new light on the huge scope of the composer’s output. A lecture at the Queen’s College Shulman Auditorium featuring prominent music critics Hilary Finch and Richard Wigmore offered a chance to consider the man behind the music. In a little. Reviewing this book means writing about writing about writing about music; which may mean a vague review. An indefinite article is perhaps what Schumann as critic needs. That title suggests real warm Schumann interest; new light on his music, mind, or life.
Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a Author: Eric Frederick Jensen. This book has been especially designed as a playing edition — the notes are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. A First Book of Schumann: 32 Arrangements for the Beginning Pianist.
His book The Nutcracker and the Mouse King would be re-imagined in Tchaikovsky’s ballet. And his most famous literary creation, Kapellmeister Johannes Kreisler, a half-mad musical genius tumbling into insanity, would inspire Robert Schumann’s () early masterpiece Kreisleriana. was a troubled time in the composer’s life. John Worthen Robert Schumann: Life and Death of a Musician Yale University Press, ; ISBN ; pages This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann’s life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness.
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Additional Physical Format: Online version: Plantinga, Leon. Schumann as critic. New York: Da Capo Press,© (OCoLC) Named Person. Schumann as critic. [Leon Plantinga] Book, Internet Resource: All Authors / Contributors: Leon Plantinga. Schumann as editor and critic for The neue Zeitschrift für Musik.
Schumann's role as editor and writer ; Schumann's style of criticism --Part 3: Schumann on the history and aesthetics of music. Schumann as critic.
Leon Plantinga. Da Capo Press, - Music - pages. 0 Reviews. From inside the book. What people are saying - Write a review. We haven't found any reviews in the usual places. Contents. Facsimile of the first issue of the NZfM following page.
2: Schumann as Editor and Critic for the Neue Zeit. Schumanns View of. Schumann as Critic Hardcover – January 1, by Leon B. Plantinga (Author) See all 4 formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" — Author: Leon B.
Plantinga. Schumann As Critic (Da Capo Press music reprint series) Paperback – Septem by Leon B. Plantinga (Author) See all 4 formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" Cited by: Robert Schumann was a German composer and critic born in Zwickau on June 8, A quirky, problematic genius, he wrote some of the greatest music of.
Robert Schumann has books on Goodreads with ratings. Robert Schumann’s most popular book is Advice to Young Musicians (). Robert Schumann: Composer, Critic, & Correspondent His father was an author, translator, and book seller, and from an early age Robert evinced what proved to be a lifelong passion for literature.
As a boy he studied piano, flute, and cello and began composing, though he was not initially committed to a musical career. He attended the. Extract (b Zwickau, Saxony, June 8, ; d Endenich, nr Bonn, J ).German composer and music critic. While best remembered for his piano music and songs, and some of his symphonic and chamber works, Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well.
xiii, pages: 25 cm Includes bibliographical references (pages ) Part 1: The neue Zeitschrift für Musik. The founding of the journal ; The goals of the journal ; For higher standards in piano music ; For higher standards in music criticism ; The nature of the journal -- Part 2: Schumann as editor and critic for The neue Zeitschrift für : Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur Müsik, the influential music journal he founded in The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most important critical pieces.
Start studying Music Appreciation - The Romantic Period. Learn vocabulary, terms, and more with flashcards, games, and other study tools. What was Schumann's music critic book called. The New Journal of Music. Schumann used a mechanical contraption in hopes of helping to strengthen his right hand, but it brought no relief.
Schumann edits and writes much of it untilbecoming a famous critic and advocate for new music. Artist and lover, Composes piano music almost exclusively, including the famous cycles of “character pieces” Carnaval () and Kinderszenen ().
Viking Schumann Cruises: Read 42 Viking Schumann cruise reviews. Find great deals, tips and tricks on Cruise Critic to help plan your cruise. Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century.
Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a.
Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur Müsik, the influential music journal he founded in The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most/5.
During the second half of the 19th century, the critical scene was dominated by the Viennese critic Eduard Hanslick, who is rightly regarded as the father of modern musical criticism.
He was a prolific writer, and his book Vom Musikalisch-Schönen ( The Beautiful in Music) is a milestone in the history of criticism. Schumann best reconciled these seemingly disparate aesthetic stands in his remarkable piano works. Among his most astonishing, and most overlooked, piano works is the “Humoreske.”.
CRITIC'S NOTEBOOK. CRITIC'S NOTEBOOK; Schumann, Peaks and Valleys. By James R. Oestreich. who edited the book "Schumann and His World," published in conjunction with the festival by Princeton. A Selection from the Writings.
Robert Schumann. Book. A lesser-known fact about the genius composer, Robert Schumann, is that he was also a gifted music critic. This is a collection of 61 of Schumann's most important critical pieces that he wrote for the Neue Zeitschrift für Musik, the influential music journal that he founded in t, andCategory: Textbook-General.
Robert Schumann is one of the most intriguing, and enigmatic, composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels.
For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his.In Schumann and the Romantic Age, translated by Geoffrey Sainsbury, pp.
New York: Macmillan, New York: Macmillan, [ In the following excerpt, Brion defines Schumann's criticism.Robert Alexander Schumann (shōō´män), –56, German as a composer and as a highly articulate music critic he was a leader of the romantic movement.
He studied theory with Heinrich Dorn and piano with Friedrich Wieck, whose daughter Clara he married.